There are (sometimes overlapping) fads in movies and popular
entertainment: the noir of the 40s/50s, the Westerns of the 50s/60s, the scifi
following the success of Star Wars, and
so on. Examples of each genre turn up after its fad generally has passed, to be
sure, but those examples stand out just for that reason. Since 2000 comic
book-based superhero movies have consumed ever larger studio budgets and
generated (despite the occasional bad miss) ever larger box offices. A few are
solid works of art by any standards, but most are at best forgettable even if
entertaining in the moment. It is remarkable just how long-lived this fad has
been. A slew of films with budgets in the hundreds of millions of dollars are in
production and post-production at this moment, while comic book publishers
explore new characters in hopes of creating the next massive franchise.
Superheroes must speak to something in 21st century public psychology.
Fantasy and wish fulfillment are at the bottom of it of course, but that is the
case in every genre of entertainment. Plenty of psychologists and social
observers have tried to identify what the current appeal of superheroes in
particular might be. I don’t have any special additional insights, so I’ll
leave the head-scratching about it to them.
I do insist, however, that it is the villain who makes a
superhero movie watchable at all. (Not an original view, I know, but true.) The
villain provides the necessary challenge and is almost always the better role.
The best written ones are not mindless thugs, sadists, or psychopaths. The real
world has a full share of those, and they cost us dearly without any upside.
The best fictional villains are understandable on some level. Some are even
sympathetic. Dr. Horrible is a case in point. Four years before he was handed
200,000,000 studio dollars to write and direct The Avengers, Joss Whedon whimsically made the silly but enjoyable Dr. Horrible's Singalong Blog for virtually zero dollars and then gave it
away for free on the internet. The hero, Captain Hammer, is a pompous posturing
ass, while Dr. Horrible just seeks love and respect. Dr. Horrible is still on
the wrong side, but we the viewers can’t help liking him more. So, too, with villains
with better studio funding. It’s not enough for one to say “I want to rule the
world” to be interesting. Rather, it’s more understandable to hear, “I want to rule the world to
make it a better place, and it will
be a better place when everyone just shuts up and does what I say.” This is
every bit as villainous as the simple egotism of the former quote, and in many
ways scarier, but we get it. After all, reader, wouldn’t the world be a better
place if everyone would do what we say?
Theory of a
Deadman – Villain