Thanks to the Comic Book Code of 1954, which eviscerated comics
for a generation in the U.S., comic books when I was a kid really were for
kids. Even the publisher Classics Illustrated intended its comics to make
classic novels accessible to kids and edited the material accordingly. It
should be no surprise, then, that by the time the Code was effectively scrapped
I (along with most others of my generation) had set aside comic books except for
the occasional counterculture novelty by Robert Crumb and his ilk. When
mainstream comics again came to be commonly aimed at a largely (or primarily) adult
readership, as many were by the 1980s, I was out of the habit of buying them. I
didn’t restart until after 2000, and only then as a deliberate decision to dip
a toe in these particular waters of popular culture in order to be able to talk
about them a little. It was a good moment to restart, because some very
remarkable work was being done by first-rate authors including Mark Millar,
Neil Gaiman, and Bryan Lee O'Malley.
Canadian author Bryan Lee
O'Malley is best known (and critically well-regarded) for his off-beat 6-volume
Scott Pilgrim comics. (The 2010 movie adaptation Scott Pilgrim vs. the World deserved a
better box office than it got, by the way.) His 2014 graphic novel Seconds is also worth a read; it warns us
that second chances have consequences of their own. O'Malley’s current work in
progress is the series Snotgirl.
Volume 3 arrived in my mail a few days ago.
In Snotgirl Volume 1 Green Hair
Don’t Care (2017), Lottie Person is a 25-y.o. Instagram fashion blogger in
California with enough followers to make a living at it and to be modestly
famous in a modern social-media way. Her always-fabulous online persona is very
different from her allergy-ridden real self. Lottie impersonates her online persona
in public since she knows full well that in our world of cell phones any false
step will end up online, too. She and her circle of frenemies all adopt styles
tailored for social media presentation. Lottie gives her frenemies nicknames
(though she doesn’t use them to their faces) such as Cutegirl and Normgirl. Lottie’s
behavior is often reprehensible, yet humanly understandable enough that the
reader doesn’t dislike her for it. The nickname “Snotgirl” is given to Lottie
(passive aggressively and to her face) by Caroline, a genuinely cool girl (Lottie’s
nickname for her: Coolgirl) whom Lottie is desperate to befriend. Lottie,
however, is having some side effects from her allergy medication, and she can’t
quite remember if she physically attacked Caroline in a bar bathroom. There is
additional drama with Lottie’s ex-boyfriend. O’Malley lets his characters
wonder what is real and what is fake – and if what is real counts as real if
not captured by cell phone.
Volume 2 California Screaming advances the various plots and lets us know
there is more to Caroline than meets the eye. The newly released Volume 3 Is This Real Life? deepens the mystery
around Caroline: especially when a male friend of Lottie discovers a photo of
Caroline who somehow looks the same in an old 1999 (!) magazine he finds in the
library. Normgirl is getting married in the O.C. and Lottie will be there. In
the lead-up to the wedding there is a murder at a bachelor party, continued
ambiguity all around in sexual orientation, and a surprise appearance of
Caroline.
A comic book about a fashion blogger requires creative artwork, of course, and illustrator Leslie Hung handles the job well in all three volumes.
A comic book about a fashion blogger requires creative artwork, of course, and illustrator Leslie Hung handles the job well in all three volumes.
I am about as far from the
target demographic of this comic as can be imagined. (Presumably it is targeted
at younger Millennials like the characters in it.) But it is a hallmark of any
truly good book, comic, or script that it can be appreciated on multiple levels
by multiple audiences. (Disney movies succeed, for example, when parents like
them too.) This is not just another superhero fantasy like so many popular
comics out there, but a thoughtful and engaging comic firmly planted in the
present. I recommend giving it a try.
Thumbs Up.
Rick Springfield –
Comic Book Heroes
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