In my younger days articles in newspapers and magazines regularly appeared in December remarking about the high rate of murders and suicides between Christmas and New Year’s Day. In the past 20 years they have been replaced by articles debunking any such increase. Two decades of debunking might seem adequate, but the articles still appear. The debunkers are correct. April and May, not December and January, have the highest rates of deadly violence to oneself and others. December is relatively slow. Yet, this, too is misleading. The older writers were not simply making stuff up. They were reporting anecdotal evidence from EMTs, police, and hospital workers who insisted they were exceptionally busy during Christmas season. They really were and they are. Their mistake was assuming that the extra busyness must be due to violence. It was and is not. Natural deaths spike substantially this time of year. This is not a myth, and they are what keep emergency responders busy. Study after study confirms that the
holiday season is deadly. Philips, Barker, and Brewer in their study “Christmas
and New Year as Risk Factors for Death” published by the NCBI state, “In the
two weeks starting with Christmas, there is an excess of 42,325 deaths [in the
U.S.] from natural causes above and beyond the normal winter increase.
Christmas and New Year appear to be risk factors for deaths from many diseases.”
As yet, no exogenous cause for the increase has been found, so the answer may lie in the individuals themselves. It is well known that people with serious health conditions have a way of surviving to landmark dates. They are more likely to die on or shortly after a birthday, for example, than in the several days prior to it. So, too, with other notable (to them) dates. They want to survive until then and they do. Afterwards they don’t care so much, so they don’t. To be sure, we cannot “think” ourselves well, but we do seem able to hold out a while longer if we choose – not a lot longer, but often long enough. The end of the year, whether we mark it in our minds by Christmas or by the actual New Year, is such a landmark.
A little pleasant nostalgia: 1962, I think |
I don't normally experience holiday blues, though this is something for
which I take no credit: there are other times and events that put me in
a funk but leave other folks unfazed. We all have our buttons. For those who do suffer
the blues this time of year, I’ll just offer the reminder that the season ends soon enough. In the meantime nostalgia needn't be depressing. I even rather like Blue Christmas.
Elvis – Blue Christmas
One of the cable channels was having an Elvisthon, and I thought out of nostalgia that might be fun to watch, boy, I was wrong. There may be one or two of his films that holds up, but most that I saw that night were pretty bad. I can still stand to hear one of his hits on the radio from time to time if they don't saturate the airwaves, but I'm not a huge fan of that either. My dad used to dislike him and I can see why--in a lot of his movies he comes off as a tough punk. It's a pretty laughable act looking back now.
ReplyDeleteThe 1958 B noir movie "King Creole" with Elvis and a stunning Carolyn Jones (6 years before her turn as Morticia) is actually pretty good. But I have to agree his movies declined precipitously in the '60s. They barely rise to the level of silly. Nonetheless, as a stage performer he really could rock. I think he is at his best in the 1968 Comeback Special, which is available on DVD. He was experienced and on his game, but he wasn't yet the caricature of himself he became in the '70s. In the '70s the first Elvis impersonator was Elvis.
DeleteHa, yeah he was pretty manipulated by Hollywood, and I think he knew it too, which probably lead to a lot of anxiety or inner dissatisfaction. I watched a TV series the other night talking about his early days, and was reminded that he started out with a lot of talent and style. It's just that it was tainted by big money. https://youtu.be/jwfk-ywLQds
ReplyDeleteYes, the studios knew they always could make money with a modestly budgeted formulaic "Elvis movie" so that is all they ever offered. Could he have handled another type of film such as "Midnight Cowboy" or "The Good, the Bad, and the Ugly"? Maybe, but no one wanted to risk it.
Delete