As mentioned in earlier blogs, I determined a while back to revisit methodically the DVDs that were collecting dust on my shelves, figuring that there was no point in keeping them otherwise. (See Of Dust and Disks and Ghosts
of Presents Past.) It's been more fun than I expected, and I've fallen asleep only twice (and finished up the next day) despite always choosing a late night hour. This reminds me of TV when I was a kid: old movies were standard fare in late time slots.
The most recent 15 DVD views:
I Married a Monster
from Outer Space (1958). Yes, I know: don’t we all? The 50s were the heyday
of cheap sci-fi films. This one capitalized on the success two years earlier of
Invasion of the Body Snatchers. As in
Body Snatchers, the aliens take human
form, but in this case they preserve the original humans. The unconscious
originals are hooked up to a broadcasting device that lets their look-alikes
access their memories. The aliens run into trouble with their human forms when
they find themselves enjoying human pleasures and vices. One even gets married
in place of a human man and has a honeymoon. If the real groom, after his
rescue, is upset about his bride having gotten it on with a monster from outer
space, he doesn’t say so. This is a silly but surprisingly likable little
movie.
2 Days in the Valley (1996).
An unapologetically trashy film with killers, femmes fatales, flawed cops, a
horrible boss, insurance scammers, a massage parlor, and a legendary fight
between Teri Hatcher and Charlize Theron. Several apparently independent tales intertwine
into one. Not nearly as heavyweight as Pulp
Fiction, but if you haven’t 3 hours to spare for that, this one will do.
Battlestar Galactica
(2003). This two hour made-for-TV movie also was the pilot for a remarkable and
dark reimagining of the original 1970s series. It is high concept and well
executed, though the theological discussions get annoying
after a while.
Son of Kong (1933). This is probably the least seen of the
three classic giant ape movies, the other two being King Kong and Mighty Joe
Young. Much of the same cast from King
Kong is reassembled for this pic. Carl Denham, the showman who captured
King Kong, is being sued by just about everybody for the damage to New York caused by the ape, so he and his buddy Captain
Englehorn skip town for the Dutch East Indies .
They sail back to Skull
Island to find treasure,
but are abandoned there by a mutinous crew. On the island the four stranded
crewmembers and one young woman stowaway encounter a “little” Kong about twice
the height of a man. The director/screenwriters were unsure whether to play
this sequel for laughs or to stick with the adventure. They do both, and the
mix is not altogether successful. It is modest fun regardless. Where mother
Kong might be is anyone’s guess. She probably left King because he kept going
to the village to pick up chicks.
Cat Women of the Moon
(1953). This movie is the very definition of “so bad it’s good.” All one needs
to say about this film’s budget is that the acceleration couches in the rocket
are lawn chairs. Several particularly obtuse astronauts, including a busty
female navigator who is in telepathic contact with the moon woman “Alpha,” fly
to the moon, kill two giant spiders, and then kill the cat women. They are bad
cat women, you see. You might think that makes them all the more worth preserving,
but this crew doesn’t think so. The movie was remade in 1958 as Missile to the Moon which had enough of
a budget for color film and even more silliness.
The Bachelor (1999).
In this remake of Buster Keaton’s Seven
Chances, a young man must marry within a day in order to qualify for a $100
000 000 inheritance. It’s a harder task than he expects. This rom-com has some
good moments. The attack of the brides near the end is as funny as it is in the
original silent. If you get a chance, though, see the silent.
King Creole (1958). This is the last Elvis Presley movie
made before his stint in the army. It was his favorite of all his movies, and
is my favorite, too. Elvis plays a high school dropout in New Orleans who gets a chance at a night club
career, but in the process he runs afoul of a gangster. A pre-Morticia Carolyn
Jones is perfect as the over-educated Shakespeare-quoting trampy moll. When she
flirts with Elvis on orders from her boss, Elvis complains, “Your heart
wouldn’t be in it.” “You wouldn’t miss it,” she answers.
The Runaways
(2010). This biopic of the 70s band which launched the careers of Joan Jett and
Lita Ford is based on the autobiography Neon
Angel, written by the lead singer Cherie Currie. All were underage at the
time the band formed, prompting the term “jailbait rock.” Success, drugs, and
an unstable home life almost destroyed Currie in an all-too-familiar pattern
before her 18th birthday. Not a great movie, but not bad either,
especially for Joan Jett fans. I first saw this in the theater with a friend
“You know,” he said, “our families were way too functional.” “Yes,” I agreed,
“it ruined our careers.”
The Killer inside Me
(2010). The seamy low-life characters of Jim Thompson’s marvelous novels are
notoriously difficult to bring to the screen. This is because so much of what
is relevant takes place in the characters’ heads. The Grifters was probably the most successful screen-adaptation,
since the plot better lent itself than most to being visual. There have been
three attempts at The Killer Inside Me.
This one with Casey Affleck and Jessica Alba is the best. Yet, even
in this version the relationship between the sadistic cop and the masochistic
prostitute is likely to be puzzling to anyone who hasn’t read the book. This is
recommended only to Jim Thompson fans.
Whip It (2009).
Directed by Drew Barrymore, the movie stars Ellen Page as a 17-year-old who
discovers Austin
roller derby to the annoyance of her mom who would rather she compete in
beauty pageants. It’s pretty good both as a teen flick and a sport film. It
prompted me to attend a local derby bout, as other blog posts make obvious.
Actually, pageants and derby are not mutually exclusive, as Lady Oh-No on a
local Jerzey Derby Brigade team can
attest.
Cruel Intentions
(1999). Before there were Mean Girls, there were the wealthy and
private-schooled step-sibs Kathryn and Sebastian (Sarah Michelle Gellar and
Ryan Phillipe) whose cruel games wreak havoc in the personal lives of those
around them. All is well until Sebastian falls for an intended victim and
develops a conscience. In the luxurious high-rise Upper
East Side snake pit in which he lives, a conscience is the one
thing he cannot afford.
Mommy (1995).
Following the book, play, and remake of The
Bad Seed rather than the 1956 movie, the psychopathic Rhoda Penmark is
alive and has a 12-year-old daughter of her own named Jessica Ann. Rhoda,
portrayed by an adult Patty McCormack (child star of the ’56 film), is not
happy when a teacher fails to give a “best student” award to her daughter. It’s
unsafe to get on the bad side of Mommy, even for Jessica Ann. The low-budget Mommy is pretty mild as serial murderer
movies go, and seems aimed primarily at a kid/tween audience (the perspective
is Jessica Ann’s). If you’re in the target audience, or if you like The Bad Seed, you’ll find this
unofficial sequel amusing. If not, give it a pass.
Scott Pilgrim vs the
World (2010). All the world’s a video game, and all the men and women
merely avatars. Though this surreal movie did OK at the box office, it
surprises me that it didn’t do better. I found it clever and witty and a good
adaptation of the comic books (which I also own).
Run Lola Run
(1998). When she needs 100 000 marks in 20 minutes to save her boyfriend from
being killed (this particular guy hardly seems worth it, but suum cuique) Lola tries three times to
get it right, starting on each attempt from the same point in time. Whether
these are three alternate realities, the last two tries are just in her head,
or she successfully has manipulated space and time, the viewer can decide.
Minor differences in each attempt (amounting to seconds or split seconds) produce vastly
different results, as the same people are in slightly
different places and finish (or don't finish) conversations. It is the
Uncertainty Principle writ large.
Play It Again Sam
(1972). Written by and starring (but not directed by) Woody Allen, the hapless
classic movie buff “Allan” struggles with his love life, aided by an imaginary
Humphrey Bogart.
I relate especially to the last movie on the list, not because I identify with Woody's character, but because, Bogart speaks to me, too, if not as vividly. And not just Bogie. Movies can transcend pure entertainment in just this way. Even the idiot astronauts of the Cat
Women movie have something to say, though in their case all of it is wrong –
if you can be sure that whatever somebody says is wrong, that is useful
information, too.